Klaus Voormann, born in Berlin, April 29. 1938. Graphic designer, illustrator, musician and producer.
Received many international awards and two grammys for the Beatles album cover ‘Revolver’ (1966) and participation in George Harrison’s ‘Concert for Bangladesh’ (1971). Third Grammy Nomination for his Super Deluxe Boxset packaging of his own album “Voormann & Friends – A Sideman’s Journey” (2011). Played with amongst others Manfred Mann and was a member of John Lennon’s ‘Plastic Ono Band’.
Worked for many years as a musician in the U.S.A. and England with John Lennon, George Harrison, Ringo Starr, Carly Simon, Harry Nilsson, B.B. King, Eric Clapton, Dr. John ,Jerry Lee Lewis and many other rock giants. From 1981 he produced in Germany many artists like the group TRIO.
Klaus designed more than 100 record-, book-, magazine covers and concert posters like for Bee Gees, Turbonegro, Wet Wet Wet, ‘The Beatles Anthology’, Terry Southern, Woody Allen, Der Spiegel, Rolling Stone Germany.
Exhibitions amongst others in London, Stockholm, Berlin, Tokyo, Los Angeles, Chicago, Madrid, Liverpool. Art Directors Award for TWIGGY Artwork in VOGUE (UK).
2003 Heyne Publishing/Random House: Klaus Voormann biography “Warum spielst du Imagine nicht auf dem weißen Klavier, John?”
2009 release of his own album and film project “Voormann and Friends – A Sideman’s Journey” with more than 30 artists and friends like Paul McCartney, Ringo Starr, Yusuf aka Cat Stevens, Dr. John, The Manfreds and many others.
2010 Reunion of Plastic Ono Band with Eric Clapton, Yoko Ono, Jim Keltner, Sean Lennon for “We are Plastic Ono Band concert” in Brooklyn/New York.
2010 Klaus Voormann film portrait “All you need is Klaus”, a collaboration project of Kickfilm Munich, German Broadcasting TV, arte tv and German TV/Cinema Fonds.
2013 – 15 Several artwork projects for album covers, books, magazines. guitarpainting for the anniversary Violinebass Höfner Deutschland.
Illustrations for his own graphic novel -/film-/ exhibition project “The music makes sense because of the sleeve and vice versa – The Making of the Revolver Cover Artwork”, 2016.
“Cover Art – A Dying Genre?” Exhibition in Ludwigsburg, Germany, with artists like Roger Dean (Yes, Uriah Heep), Wes Benscoter (ACDC, Slayer), Mati Klarwein (Miles Davis, Carlos Santana) and others.
Lives south of Munich in an old farm house and is mostly active as an illustrator.
With his wife Christina he supports for many years international bio diversity, environment and health projects.
Hamburg Days (1957–1963)
As a young artist living in Hamburg, Germany in 1960, Klaus was already well on his way to a very successful career in commercial art. Klaus had attended “Meisterschule für Grafik und Buchgewerbe” in Berlin before moving to Hamburg where he continued his education at “Meisterschule of Gestaltung”. Klaus worked on freelance projects for fashion and art studios. He spent eight months in Dusseldorf working on advertising and layouts for magazines. But it was when he returned to Hamburg in 1960 that he had his first encounter with the music that would eventually take his life in a completely different direction.
One night, Klaus was on the Reeperbahn in the St. Pauli district of Hamburg, when he was drawn to the sound of music coming from a basement window. It was the Kaiserkeller Club. Klaus went down into the club to better hear and see the band playing onstage. Despite being alone and feeling out of his element and uncomfortable among the leather clad rockers, Klaus stayed on for the next band. It was The Beatles–John, Paul, George, Stuart Sutcliffe on bass, and Pete Best on drums. Coincidentally, Klaus also saw Ringo Starr that night because he was the drummer for the first band, Rory Storm and the Hurricanes.
Klaus had not had any exposure to rock & roll. He grew up in a family that listened to classical music. Klaus himself studied classical piano from the age of 8 to age 15. This rock & roll music and this rough environment were foreign to him. But he loved it! So much that he brought his friends Astrid Kirchherr and Jürgen Vollmer back to see the Beatles the following evening. Over the course of the next couple of weeks they became regulars at the club. When it was suggested that someone try to make contact with the band, it was Klaus who approached them. He brought with him a record sleeve he had illustrated and he showed it first to John Lennon, then to Stuart Sutcliffe, who John pointed out as the artist of the group.
London Days (1963–1969)
From that first meeting, Klaus’s friendship with the Beatles continued to grow. Eventually he moved to London at the invitation of George Harrison and Ringo Starr and he stayed with them in their apartment while he sought work as a commercial artist. But Klaus had been bitten by the rock & roll bug. It was not enough for him to just see and hear other bands on stage. He wanted to play himself.
Klaus got a job at an ad agency in London and was working there for about five months when he received a call from a friend, asking him if he wanted to play in a band. Klaus packed his bag and three days later he was back in Hamburg playing bass on stage! This was the beginning of Klaus’s musical career. This first band Klaus was a member of, Paddy, Klaus & Gibson, played in Germany at the Star Clubs. Later they went to England where they were booked at the Pickwick Club in London, a place frequented by high profile people. Brian Epstein was in attendance, and after the performance he signed them and became their manager.
Designing the Beatles’ ‘Revolver’ cover (1966)
Then in early 1966 Klaus received a call from John Lennon asking him to design the cover of The Beatles’ next LP. Klaus had been out of the art scene for some time, playing bass in Paddy, Klaus & Gibson. And now he was being asked to design a record cover for the most famous band in history! Klaus accepted the challenge, and he spent the next couple of weeks coming up with different ideas for the cover. He had the idea that he wanted The Beatles’ hair to be a focus, and in contrast to what was being done by everyone else, he wanted to do a black and white cover. He tried different ideas, and eventually (from memory) he drew the four line drawings of John, Paul, George and Ringo, then placed photos in and around the drawings.
Grammy Award for ‘Revolver’ Cover Artwork (1967)
The Revolver cover was well received by The Beatles, George Martin, and Brian Epstein, who cried tears of joy upon seeing it. With Revolver, The Beatles’ music had taken a different direction. It was more psychedelic and less about love and relationships. This change in musical direction made Brian unsure of how the public would receive the new sound, and he believed that Klaus’s cover would be a bridge for that change and help people to accept the new direction. As it happened, at the 9th Annual Grammy Awards in 1966, Klaus was awarded the Grammy for Best Album Cover, Graphic Arts. It was the first time anyone had ever won for a graphic cover.
The Manfred Mann Band (1966–1969)
From 1966 to 1969 Klaus played bass in the Manfred Mann band. At the time, Klaus had offers to join the Hollies, the Moody Blues, and Manfred Mann. He chose to join Manfred Mann and during this 3-year period, the band produced several hit records, including The Mighty Quinn, on which Klaus played flute and bass and sang backup to Mike d’Abo’s lead vocal. (The Mighty Quinn by Manfred Mann is the only Bob Dylan song ever to hold the number one spot in the UK charts.)
The Plastic Ono Band (1969)
In 1969 Klaus received another unexpected telephone request from John Lennon. John wanted Klaus to join his and Yoko’s new band, the Plastic Ono Band. And he wanted Klaus to get on a plane in two day’s time and fly to Toronto to play an unrehearsed concert with a band of four guys who had never played together! After some consideration, Klaus agreed. The four new band members, John, Klaus, Eric Clapton, and Alan White (a then unknown young drummer) flew across the Atlantic to play one show at the Toronto Music Festival. Their only rehearsal took place sitting in the back of the plane, with Alan White drumming on the seat in front of him.
The Plastic Ono Band’s Live Peace in Toronto album is the only live performance by the original members of the band.
Studio Years with John, George & Ringo (1970–1976)
George Harrison’s ‘All Things Must Pass’ triple album was recorded at Abbey Road Studios in London from May to August 1970. This was George’s first post-Beatles release. Klaus played bass on the album, along with Eric Clapton, Billy Preston, Ringo Starr and Bob Dylan, among others. Released in November 1970, All Things Must Pass spent eight weeks at number one on the UK charts and seven weeks at number one on the US charts. It produced My Sweet Lord, a hugely popular song that was number one worldwide.
‘The Concert for Bangladesh’ (1971)
George’s next big project was the Concert for Bangladesh which took place the afternoon and evening of August 1, 1971 at Madison Square Garden in New York City. The concert was organized by George, with Klaus on bass, Eric Clapton and Jesse Ed Davis on guitars, Billy Preston and Leon Russell on keyboards, Ringo Starr and Jim Keltner on drums, along with lots of other guests.
Grammy Award for ‘The Concert for Bangladesh’ (1971)
The Concert for Bangladesh was the first time a group of musicians came together to give their time and talent for a humanitarian cause. Nobody got paid and between the concert sales and subsequent album and video sales, millions of dollars were raised. With the recent reissue of the CD and the video, the concert continues to raise money for George Harrison’s relief organization. Klaus won his second Grammy award for his participation in this historic event.
In 1971 Klaus was invited by his friend George Harrison to perform bass on John’s new recordings for “Imagine” produced by Phil Spector. Recording started on 23 June 71 at Lennon’s Ascott Sound Studios at his Tittenhurst Park recidence. Next to Klaus, John was joined by Yoko Ono, George Harrison, Alan White, Nicky Hopkins, and Jim Keltner.
The making of the record is also nicely captured on film in the “Gimme Some Truth” documentary by Jon Mekas and Andrew Solt.
Los Angeles & Hollywood Years (1973–1979)
In 1973 at the urging of John Lennon and Ringo Starr, Klaus moved from London to Los Angeles, where he began doing a lot of session work for various artists, mostly friends. Klaus played on numerous solo recordings by John Lennon, George Harrison and Ringo Starr.
Klaus played on eight Harry Nilsson albums, including Nilsson Schmilsson which contained Harry’s number one record breaking song, Without You.
Klaus also appeared in two films featuring Harry’s music, Son of Dracula, and Popeye starring Robin Williams, and he appeared in the documentary footage of the making of Son of Schmilsson, in which he plays bass and saxophone.
While in Los Angeles Klaus also played on several Carly Simon albums, including her number one charting No Secrets. (That’s Klaus playing the famous bassline on You’re So Vain, a song that has taken on a legendary mystique all its own.)
Klaus played on Randy Newman’s Little Criminals LP, an album that contained Newman’s highest charting song ever, Short People. Klaus can also be heard on albums by BB King, Jerry Lee Lewis, Lou Reed, Gary Wright, Leon Russell, Howlin’ Wolf, Peter Frampton, and Martha Reeves, to name but a few. He played alongside The Band, Van Dyke Parks, Dr. John (Mac Rebennack), Jim Keltner, Jesse Ed Davis, Ry Cooder, Larry Carlton and many, many others. In these sessions Klaus played bass, and sometimes saxophone, guitar and piano.
The Producer (1980–89)
In 1980 Klaus returned to Germany where he began working as a scout for record companies. He discovered an unknown band called Trio, a minimalist band that was part of the Neue Deutsche Welle (New German Wave).
Klaus produced several records for the band throughout the 1980’s, and he played bass on some of the songs. Trio’s “Da Da Da” was a hit in 30 countries and there is rumored to be an estimated 50 cover versions of the song. Klaus later decided that he didn’t want to continue producing, and as the 1990’s approached, he was once again drawn back into the world of graphic art.
The Artist & Designer
In 1990 Klaus began working on the book Hamburg Days. The idea for the book was that Klaus and Astrid Kirchherr would compile their memories of meeting The Beatles in Hamburg during the period from 1960 to 1962. Klaus recreated from his own memory and with help from Paul McCartney’s recollections, photorealistic oil paintings of events from that time. This was quite an undertaking, involving a great deal of research during which Klaus, with painstaking detail, perfected the recreation of historic places and structures that had long ago disappeared. Klaus’s work on Hamburg Days continued over the course of the next several years.
Then in 1996 Neil Aspinal of Apple Records asked Klaus to create the images for The Beatles Anthology series. This was a big project involving designing the covers that would adorn all three of the albums, as well as all of the other products connected with it. Once again Klaus was faced with having to come up with a design that would be fitting for this monumental Beatles project which was ultimately overseen by Paul, George, Ringo and Yoko. Klaus proposed the idea of painting The Beatles’ posters in peeling layers from early album covers and posters to later ones, thus showing the progression of the band over the years. This idea was enthusiastically embraced by Apple and The Beatles, but now Klaus had the daunting task of finishing this work within a relatively short period of time. Klaus enlisted the help of his friend and fellow artist Alfons Kiefer.
It took the two of them over 1,000 hours to paint the images, which incorporate more of Klaus’s photorealistic style. The three Anthology covers fit together when laid side by side and are actually the result of one large painting.
Everly Brother’s Tour England
div. John Lennon Sessions, London
Billy Preston LP, London
George Harrison, London
All Things Must Pass
John Lennon/Plastic Ono Band LP
Leon Russel LP
Ringo Starr Sentimental Journey LP
B.B. King LP, London
John Lennon “Imagine”, LP, Film, London/USA
2nd Grammy for “Concert for Banglasdesh”, LP, Film
Harry Nilsson/Nilsson Schmilsson
Frampton “Wind of Change”, LP
John Lennon/Sometime in NYC/Live Jam, LP
Harry Nilsson/Son of Schmilsson
Lou Reed Transformer LP
Carly Simon No Secrets LP
Chi Coltrane , Let it ride LP
Living in the Material World LP
Jerry Lee Lewis, LP
George Harrison, Dark Horse LP
John Lennon, Walls and Bridges
Harry Nilsson, Son of Dracula
Harry Nilsson, Pussy Cats
Martha Reeves, LP
Ravi Shankar, Shankar Family & Friends LP
Carly Simon, Hotcakes LP
Ringo Starr, Good Night Vienna LP
Dion, Born to Be With You, LP
Art Garfunkel, Breakaway LP
George Harrison, Extra Texture LP
John Lennon, Rock ‘n‘ Roll LP
Keith Moon, Two Sides o. t. Moon LP
Harry Nilsson, Knnillssonn, LP,
Duit on Mon Die LP
Carly Simon, Playing Poissum, LP
Harry Nilsson, That’s the Way it is LP
Van Dike Parks, Clang of the Yankee Reaper LP
Dion, Streetheart, LP
Donovan, Slow down World, LP
Long John Baldry, Welcome to the Club, LP
Lonnie Donegan, Puttin‘ on the Style, LP
Randy Newman, Little Criminals, LP
Carly Simon, Another Passanger LP
Ringo Starr, Rotgravure, LP
Marius Müller Westernhagen, Stinker
Trio, What’s the Password
John Lennon, Menlove Ave.LP
Yoko Ono, Onobox LP,
Walking on Thin Ice ,LPs
John Lennon Anthology LP
John Lennon Wonsaponatime LP
Klaus Doldinger Works & Passion LP
Concert for George Harrison /London
Plastic Ono Band Reunion
Concert with Yoko Ono, Sean Ono, Eric
Clapton, Jim Keltner/Brooklyn NY
Artgenossen-Concert with Stefan Stoppok,
Chris Farlow and others/Landsberg Germany
Lahnstein Blues Festival Concert with Mike d‘Abo,
Chris Farlow, Stefan Stoppok
Lahnstein Blues Festival – Louis Award
Voormann & Bands
Paddy, Klaus & Gibson
Manfred Mann Band
Plastic Ono Band/Toronto
Plastic Ono Band Reunion/Brooklyn
The Graphic Designer
Meisterschule f. Gestaltung, Hamburg
Diverse Cover, Hamburg
Revolver Cover Artwork, London
1. Grammy f. Revolver, LP, LA
Twiggy Legende für Vogue, London
International Art Directors Award
Where Was Spring
Animation film, Ray Davis, London
Cover Artwork Bee Gees LP Idea, London
Cover Artwork U.S.A., Spooky Tooth
Artwork Ringo Starr, Ringo LP
Marius Müller Westernhagen, Stinker LP Cover
Klaus Doldinger Passport, Blue Tattoo
Cover Artwork Ram Pietsch, LP
Genesis Verlag: Hamburg Days Buch 6
Beatles Anthology LP, CD, DVD, Book
Paul Mac Cartney LP
Run Devil Run, Booklet Illustration
Elvis meets Beatles, fotorealistische
Illustrationen für Bauer Verlag,
Skizzen und Making of
Harry Nilsson, Coverdesign
That’s the Way it Is, expanded LP
Turbonegro Cover und Illustrationen,
Mando Diao, Bassbemalung
Wet Wet Wet, Cover Artwork
Martin Gore/Depeche Mode, Artwork
Jack Mittelman, Cover Artwork
HOMMAGE TO KLAUS VOORMANN
ANNIVERSARY EXHIBITON BERLIN
Artwork VW Revolving New Beetle
Cover Artwork Mando Diao/Gloria
with Maximilian Voormann
Twang, Cover Artwork
The Beatles, Cover Artwork, Der Spiegel Magazin/Germany
Woody Allen, Tour Poster/Germany
Remember Revolver-KVExhibition, Weiden/Germany
Mando Diao, MTV Unpluuged
Illustrations for Booklet/T-Shirts
Grammy Nomination for
A Sideman’s Journey Deluxe Box Set
Paolo Nutini Tour Poster, Germany
Cover Artwork Nero Magazin/Japan
Cover Artwork Noel Gallagher
Rolling Stone Magazin/Germany
Nürnberg and Merzig/Germany
Foolsgarden, Cover Artwork
Hamburg Impact Cycle, Paintings
Taboris Mein Kampf, Wall Painting
Praha, Svanda Theatre
H.R. Kunze, Reine Nervensache LP
Trio, Bye Bye, LP
Joachim Witt, Mit Rucksack und Harpune LP
Trio,What’s the Password
Stephan Remmler, LP
Wigald Boning, Bremen, LP
RAM Pietsch LP
The Producer & Artist
Voormann & Friends:
A Sideman’s Journey
Limited Edition, Featuring more than 30
artists like RingoStarr, Paul McCartney, Dr.
John, Yusuf, Manfreds